Hence C-A ♯, not C-B ♭, represents a 7:4 interval in septimal meantone. Septimal meantone represents the frequency ratio of 56 by ten fifths, so that the interval 7:4 is reached by five successive tones. Meantone temperament represents a frequency ratio of approximately 5 by means of four fifths, so that the major third, for instance C-E, is obtained from two tones in succession. In music, septimal meantone temperament, also called standard septimal meantone or simply septimal meantone, refers to the tempering of 7-limit musical intervals by a meantone temperament tuning in the range from fifths flattened by the amount of fifths for 12 equal temperament to those as flat as 19 equal temperament, with 31 equal temperament being a more or less optimal tuning for both the 5- and 7-limits. (June 2008) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations.
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